Our Theatre Reviews

It's very easy for theatre, particularly Queer Theatre, to fall into 'woe is me' trope. Alfie Webster's debut play lenny. is a ‘delayed’ queer coming-of-age story that avoids this trope with the power and avoidance of a gay man dodging his 30's. lenny. is 70 minute piece...

At the ever-charming Wilton’s Music Hall — all faded grandeur and creaking floorboards — fringe favourite Potty the Plant has taken root for a short but sprightly run. With a bare-bones, split-level set framed by a series of backing flats and a conspicuous cabinet (where one assumes the long-suffering puppeteer was stashed pre-show), the stage is dressed just enough to let the performers — and the innuendo-stuffed script — do the heavy lifting.

A warm summer’s evening in the charming garden of St Mary’s Church set the scene perfectly for Five Lesbians Eating a Quiche, performed by Car Crash Productions...

There’s no denying the unmistakable echoes of Fleetwood Mac and the making of their album Rumours in David Adjimi’s award-winning play. Now playing at the Duke of York’s Theatre, Stereophonic is a raw, authentic and deeply human portrayal of a fictional band in the 70s while they record their next studio album...

Written by Giles Fernando, Mother's Day/ Father's Day is a double bill about achieving your dreams and family competition. Playing at the Drayton Arms Theatre in South Kensington, these 2 plays although by the same writer couldn't be any more different...

Upon stepping into the Dominion Theatre, the mood was electric. I took my seats to a glitzy sign with the Iconic branding of “The Devil Wears Prada” in front of me. Fashion show style music is pumping and the stage is highlighted by studio lights. Then things get a bit weird...

Following the huge successes of both Iphigenia in Splott and Romeo and Julie, I was so excited to watch ‘Ghosts’ at the Lyric Hammersmith, the fifth collaboration between writer Gary Owen and director Rachel O’Riordan. However, I ended up leaving confused and underwhelmed....

Just what the West End needs… ANOTHER musical adaptation of a classic film. With Mean Girls (The Musical), Back to the Future (The Musical) and The Devil Wears Prada (The Musical) all just around the corner it feels like the West End is already at full capacity. That being said I was willing to give this one its chance...

In a West End dominated by jukebox musicals and screen to stage adaptations, it's refreshing to see a classic return to the spotlight....

A Million Miles Under Hampstead Heath is the debut play for Nothing Theatre Company, written and directed by Nina Fuentes...